Bridging Theory and Practice Since 1974

Tag: Charlotte

Missing the Train: Why Raleigh’s Lack of a Light Rail is Holding the City Back

By Ian Ramirez

If you’re a vehicle owner and you’re reading this, I’m willing to bet you can think of a time or two in your life where you felt a real freedom attached to driving. However, I’d also wager that you don’t always love sitting in traffic when you’re already twenty minutes late to work. Recognizing the environmental and economic downturn that has been borne out of American auto dependency has planners searching for both sustainable and efficient transit options to offer to the average commuter. However, where cities like Raleigh have faltered on offering new-age transit options, others like Charlotte are at the forefront of modern mass transit. The questions of how to best move the thousands of residents that make daily commutes into a city may at first seem daunting, especially given the American romanticism of the car. But for planners, the answers may lie in the not so distant past.

In the early 20th century, streetcars lined the roads of American cities in all directions, offering clean and safe transportation for all. Now, the light rail is doing the same thing in many major US cities. Given that light rails cost less than subways, are often cheaper to construct and maintain than normal trains, and offer more consistent on-time service than buses, it is easy to see why urban planners across the country have made the light rail their answer to both sprawl and auto dependency.

Throughout 2020, Raleigh had a single occupancy vehicle use rate of nearly 80%.[i] This means that nearly 80% of drivers were traveling alone when commuting. In addition to Raleigh’s high rate of lone drivers, the current average commute time is 23 minutes.[ii] These statistics indicate the city’s need for some form of mass transit that can alleviate the burden placed on both infrastructure and environment by auto dependency. As a regular driver in the Triangle, it is this writer’s very professional opinion that something needs to change so I can spend less time sitting in Durham traffic. There are innumerable reasons the light rail is an excellent answer for this conundrum. In multiple cities, this form of mass transit offered not just alleviation from congestion, but also economic and neighborhood revitalization in downtowns of cities in decline.

Source: Triangle Business Journals

Since 1986, the MAX Light Rail in Portland, Oregon has carried urbanites all over the city. The city has a population of approximately 650,000 people, and yet the light rail still manages to move roughly 3.9 million people annually. During non-Summer work months, like October, the Portland light rail moves an average of about 80,000 people a week. [iii] Given Raleigh’s similarity in population (467,000 people in 2020), and the abundance of surrounding towns outside of both Portland and Raleigh that serve as bedroom communities bursting with city commuters, the success of the light rail in Portland bodes well for Raleigh. The large number of mass transit users in Portland bodes well for other cities bold enough to introduce light rail as a transit option, despite some worry about who precisely benefits from light rail services.[iv]

On that note, it is important to ensure that low income individuals, people of color, and other disenfranchised communities are offered the opportunity to make use of a light rail, since these populations are often the ones who rely on mass transit services the most. Minority communities are often faced with, as engineer Christof Spieler states, “different standards for ‘choice’ and ‘dependent’ riders (that is to say white and Black).”[v] Spieler’s article goes on to explore the inequities in transit quality, bus stop location, and overall experience for commuters in different boroughs of Houston, Texas. While a light rail will not solve every racial divide in the transportation sector, equitable and clean transit is a great way to offer services than benefit multiple communities within a city. However, to reach those underprivileged communities, a city must first take a leap of faith through one key step: giving people new ways to get around.

Charlotte, North Carolina is a recent convert to the light rail lifestyle, having just debuted a light rail service in 2007. The city of Charlotte is an excellent example of a metropolis that recognized the potential benefits a light rail could have. Like Raleigh, Charlotte is surrounded by smaller towns and suburbs full of city commuters, and the city’s own data suggests that a least half of the city’s workforce commutes from outside the county. Additionally, the same data indicates that roughly 37% of Charlotte commuters spend over 30 minutes in their vehicles each morning.[vi] I was born just outside Charlotte. My parents ultimately moved us out of the city in the mid-2000s because the daily congestion was becoming unbearable. The data in Raleigh is strikingly similar, though commute times in the capital city are admittedly a bit quicker than that of the average Charlottean. 

However, the Charlotte Department of Transportation (CDOT) rose to the challenge, working with the Charlotte Area Transit System (CATS) to debut the light rail and revamp the streetcar system across the city.[vii] While the system may not have been in place as long as Portland’s, and as such cannot be analyzed as extensively, implementation in Charlotte points towards something that might prove to be a useful transportation solution for Raleigh planners. Charlotte geared their resources in the direction of capacity increase for transportation options. As a result, the city now has the potential to move more residents on public transit than ever before.

City officials hope that with this expansion of transportation options, people will make the transition from personal vehicle use to a more sustainable and accessible transit option that will also cut down on their daily commute to work. Charlotteans did not just invest in a light rail, they invested in their own future. Raleigh should do the same.


[i] United States Census. (2010). Census of Population and Housing. US Census Bureau.

[ii] American Community Survey. (2021, October 8). American Community Survey Data Tables. US Census Bureau.

[iii] Trimet. (2020, September 29). TriMet Service and Ridership Information. [Ridership Data and Analysis]

[iv] Chemtob, D. (2021, September 27). New light rail would drive development. But what about moving people? Axios Charlotte.

[v] Spieler, C. (2020, August 24). Racism has shaped public transit, and it’s riddled with inequities. Rice Kinder Institute for Urban Research.

[vi] Charlotte Area Transit System. (2019). 2030 Transit Corridor System Plan.

[vii] The Charlotte Department of Transportation. (2020, October 13). STATE OF MOBILITY: Charlotte 2020.


Ian is a second-semester senior at UNC, set to graduate in May with a BA in Public Policy. He also has minors in Geography and Urban Planning, the latter of which led him to the Carolina Planning Journal. He is a DJ for WXYC, the campus radio station. Ian was recently accepted to the Master’s Program in Public Policy at UNC, and will be part of the first cohort to graduate from the program. His planning interests include environmental land use planning, expansion of public transportation, and revitalization in areas initially targeted by Urban Renewal. 


Edited by Ruby Brinkerhoff

Featured image: LYNX light rail system in Charlotte. Courtesy of James Willamor, Flickr

Symbolism in Downtown Charlotte Public Art

Public art is crucial in representing many aspects of Charlotte’s history and character. An analysis of the structures and figures scattered throughout the uptown area gives a glimpse of the relationship between the art and the buildings around it. Through this analysis, we are also able to analyze the significance of public art to the history of Charlotte.

 

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The Firebird located at the Bechtler Museum of Modern Art public plaza. Photo Credit: Margarita Toledo

Starting with one of the most popular and most visited structures, The Firebird is one of the most notable pieces in the area. The public plaza of the Bechtler Museum of Modern Art has been its home for the past nine years. It references a Greek mythological bird known as the phoenix, which represents renewal and rebirth. With its carefully placed small mosaic pieces, all mirrored and colored, the structure reflects off the glistening sun during the daytime and serves as an aesthetically appealing, joyful, and welcoming piece for museum visitors and many others. Needless to say, this sculpture is well known and widely acclaimed by Charlotteans.

The museum architect and art piece sculptor chose to place The Firebird outside of the Bechtler Museum of Modern Art so that it would complement the geometric lines represented in the museum’s architecture. The piece was also chosen due to the friendship and previous collaboration between the museum’s Swiss architect, Mario Botta, and the French American sculptor of The Firebird, Niki de Saint Phalle.

 

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II Grande Disco commemorates North Carolina’s independence from Great Britain. Photo Credit: Flickr 

 

The following piece, known as II Grande Disco (The Great Disc), is a bronze sculpture also located in the heart of Charlotte. Installed October 2, 1974, and placed to commemorate North Carolina’s Declaration of Independence from Great Britain, the sculpture is one of the most well-known pieces of public art in Charlotte. The declaration took place in Mecklenburg County, and although there has always been great debate on whether the event really happened, “Meck Day” remains a day of historical importance. When you first look at the sculpture, you initially notice what seems to be a descending view of a city. Its previous ability to rotate was used to represent the changes that the city was experiencing at the moment and in the future. Arnaldo Pomodoro, the Italian sculptor behind the creation of this piece, aimed to represent just what the city was experiencing during this grand change in Charlotte’s history, and its hopes for future advancements.

 

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Wind Sculpture in downtown Charlotte. Photo Credit: The Charlotte Observer

 

The next piece, created by artist Jack Pentes in 1986, is named the Wind Sculpture. This work of art has the same effect of change as The Great Disco, but instead of actually representing the city changing itself, it serves as a piece that remains static as the city changes and grows around it. This concept was also incorporated in the moving parts of the piece, as you experience alternating positions at different times of the day. The original colors on the piece represented the seasons but were meant to be changed and updated throughout the life of the sculpture. The piece was made possible by an anonymous society.

These sculptures are only a few out of many that highlight Charlotte’s history. Their placement and design ignites curiosity of their respective stories in anyone who encounters them.

 

About the author: Margarita Toledo is an undergraduate senior at The University of North Carolina at Greensboro and is pursuing a degree in both Studio Art and Psychology. She is studying both subjects with the interest of becoming an Art Therapist in the future. Born in Charlotte, North Carolina, and being drawn to sculpture work the most out of all other types of art, she appreciates the meaning behind public art she has encountered in the small towns and cities that she has visited throughout her life.

Feature image photo credit: Flickr

Everything You’ll Learn from an Urban Design Competition

I was sitting on a Chicago Transit Authority bus, a fitting location to receive the news, when I learned that our team of Department of City and Regional Planning students won an honorable mention in the Urban Land Institute’s Urban Ideas Competition. The contest’s prompt: design and render a 45 acre greenfield site adjacent to a nearly complete light rail transit stop in suburban Charlotte, North Carolina. Of the ten teams that entered the competition, DCRP’s was the only student-led team to be distinguished with an award.

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The existing conditions of the site: lightly forested, bisected by a stream, surrounded by a major arterial road and single-family homes. Image: University City Partners

In late January, we formed our team with minds representing our department’s strengths, transportation specialists, two trained architects-turned-planners, undergraduates with a focus on urban design, and experts on parks fully rounded our eight person lineup. Each member was an asset to the project who delivered a product they are proud of.

The site we were assigned to reimagine is ubiquitous in suburban sprawl: the tract of forested land that was mysteriously once lived on (we found brick and concrete foundations here and there) but now contained only empty liquor bottles and rubber tires. But the site’s natural elements, namely the creek bisecting the tract parallel to the adjacent arterial street, meant our design decision had to marry the built and natural environment. This conclusion is how we settled on the concept of OPEN at University City Boulevard Station (see link for full description and justification of our site plan).

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A diagram that describes the site’s environmentally friendly features. Illustration: Brian Vaughn

Our proposal was a product of late nights, settlements and compromises, and perhaps most importantly the coordination of our team’s talents. I was honored to represent our team and accept our Honorable Mention at the Annual Conference of the ULI Carolinas. It was also an eye opening experience as a student of urbanism to learn how fields outside of city planning, especially investors and architects, related their fields to the competition. I was disheartened that the winning team chose to include 1.5 parking spaces per dwelling unit, but the economic reality of an auto-centric suburban form meant that this over-provision was most economically viable.

This summer, I am excited to further explore Charlotte’s light rail system as part of a research project in urban design. This competition is a prime example of the value of understanding the priorities of stakeholders in the built environment, and the primacy of navigating them in a way that promotes the ideas you want to be reflected in cities you work to redefine.

Brian Vaughn is an undergraduate and minors in Urban Studies and Planning. This summer, he will spend three weeks in South Florida, Charlotte, and Atlanta conducting a public life study around transit stations. His favorite transit oriented development is Union Station in Washington, DC.